Friday, August 21, 2009

Curse/Or: Chapter 3 Revised

As I mentioned earlier, I discovered an issue with the pacing of the big fight scene in chapter 3. This issue was so large it demanded a fairly extensive re-write to make it work effectively.

In order to provide context, I am posting the entirety of Chapter 3 now. I apologize to everyone who is now grumbling about "having to re-read stuff". These things happen when one is essentially liveblogging the novel-writing process. Still there is new stuff here, so I encourage you all to read it again.


Chapter 3: LULZ is the law, LULZ under LOL

It wasn't until much later that Teresa learned the exploding cat had actually been a plush toy with a stun grenade stuffed inside. Surprised and off-balance, the force of the flash-bang beneath her knocked her up and over, the right side of her torso striking the edge of the table with enough force to make her wince.

As she fell, the serrated pain of a cracked rib tearing inward from bone to lung to tumor, she knew -- with an animal certainty which bypassed all thought -- that everyone in the dining room had seen the flash and heard the bang. They had shared the experience. They were all interconnected with her.

They had all been breathing her air, just like the inmates at Frontera.

The magic flared within her at the speed of instinct, burning from her tumor outward through the searing pain in her side, spreading her blindness and deafness and disorientation across a network of arcane second-hand smoke and into the two dozen customers and waitstaff.

As one, the entire population of the restaurant coughed wetly. Their lifetime chances of contracting cancer increased by a statistically significant percentage.

And then Teresa could act again, shoulder-rolling as she hit the floor, coming up into a kind of half-crouch. She could see the girl crouched beneath the table, wiping her mouth with the left sleeve of a bright pink cardigan, right hand buried inside a matching vinyl purse-slash-tote bag. Their eyes met.

The girl looked to be about 12 years old, but the eyes that looked back at Teresa weren't those of a child. They were hard and deep and dark, as black as her glossy Asian hair, a gaze made of obsidian knives. They were the sockets that remained after her innocence had been scooped out with a melon baller.

They were the same eyes Teresa had seen in the mirror every day for the past twenty years.

"OH HAI THAR," the girl exclaimed, and pulled a pistol from her bag. It was the exact same shade of obnoxious pink as her purse, except in anodized aluminum, and the kitty face painted along its extended barrel matched the picture on the girl's dress. She cocked her head to the side and smiled brightly, waving cheerfully with her left hand as the laser spot under the gun barrel traced a hot pink line to Teresa's heart.

"U DIEZ NAO KTHXBAI."

The gun made a soft mewing sound as it fired. Pain blossomed inside Teresa's chest, twice, and then she was falling face-first onto the carpet, oblivion thundering upon her like an oncoming train.

"LOL," announced the girl. "ENDCAT HAZ ENDED JOO." She pivoted smoothly to her left, humming tunelessly as she took careful aim at the still-stunned Esther's head.

Yarrow gasped. "You… !" He was on the floor next to Esther, his hands clawing at the clutter of the broken dishes around him in a feeble attempt to end his disorientation. The girl brightened visibly at this, squatting by his head to regard him curiously, pervious target forgotten. Her grin was feral, her slender body quivering with predatory glee.

"YA ME RLY." She wasn't shouting, but every word that came from her mouth seemed to be at full volume. She poked him in the cheek with the muzzle of her pink kitty pistol. The action was careless, whimsical, like a child poking a strange object with a stick. "WAT U WANT? U CAN HAZ LAST WISH."

Yarrow blinked, trying to resolve the rosy haze above him into some kind of recognizable form. Teresa had taken the brunt of the blast, stretched over the table to throttle him, but even so his proximity to an exploding stun grenade had sent him reeling. And yet despite the roaring in his ears, he was still able to hear the pink catgirl assassin with perfect clarity.

"I… can haz?" he stammered. The young fool seeks me, he remembered. Youthful Folly has success. He thought for a moment, then swallowed hard. "Can I wish that you don't kill me?"

The girl smiled fiercely, and with a casual swipe of her hand broke Yarrow's nose with the butt of her gun. His scream of pain only seemed to excite her, her butt wriggling back and forth as if she possessed an invisible tail and was twitching it from side to side. "SILLEH BUNNEH," she cooed. "IF I NO KILL U THEN IZ NOT LAST WISH. AMIRITE?"

"Just stop hitting me!" he screamed. Her smile widened and she aimed the gun at his head. "Oh crap," he squeaked, mouth suddenly very dry as the blurred form of the barrel slid into his field of view.

(On the other side of the restaurant, a short-order cook who had been smoking all his adult life coughed twice, clutched his chest, and died as the burgeoning tumor within his lungs increased a thousandfold in volume before metastasizing and devouring his heart. He was thirty-two.)

Youthful Folly has success. At the first oracle I inform. "Cheeseburger!" shouted Yarrow.

The girl's body went rigid. "WAT U SAY?" she demanded through clenched teeth. The muzzle of her gun visibly wavered in front of Yarrow's face, her muscles nearly vibrating with barely-controlled tension. The feral Cheshire grin was gone, replaced by a far more human expression of indecision.

"Cheeseburger," he said with increasing confidence. "This is a restaurant. They make cheeseburgers. They're over there." He pointed in the general direction of the kitchen. "You Can Haz," he directed, with as much conviction as he could muster.

At the first oracle I inform.

Behind them, Teresa's body spasmed, as if CPR were being administered through repeated vicious kicks to her chest. Nicotine roared through her bloodstream, jump-starting her body with the fierceness of a habit that would not, could not, be denied. Roaring darkness receded from the edge of her vision, the cancer magic sparing her in exchange for claiming the life of the cook.

"Fine," spat the child. The hollow boom in her voice was gone, replaced by the normal soprano pitch of a preteen girl. She squared her shoulders and drew another pistol from her bag. Even with the second gun, she seemed diminished in some way. "I don't need the LOLcat to finish this." Next to them, Esther moaned.

Teresa felt like she had just walked up thirty flights of stairs. There was a concrete block inside her chest, and each breath was agony. Her arms were wooden, her fingers lifeless cigarettes. Her mouth tasted of ash and the stink of burnt filters filled her nostrils. Her eyes ached with the yellow-brown stain of nicotine. She thought she might vomit.

The girl's back was to Teresa, rising from beside Yarrow's head to a firing position. Her twin pistols were tracing dual pink lines towards the center of Esther's chest. "The Godcaller dies first," the child said to Yarrow. "Then you. And then I Can Haz Cheezburger."

Tommy would be about Yarrow's age, Teresa realized. Another dumb kid, another mother's precious son, another stupid, senseless death…

The rage returned. In that moment the tired, half-dead Teresa was gone, consumed by all the anger and the guilt and the rage of the past two decades. Her nausea was forgotten, burnt away by the rush of emotion. What remained was something pure, primal in its direction and purpose. "Bitch," spat the Camel, pulling the lighter from her pocket to hold before her face. A flame the color of hemorrhagic blood licked into life.

"I will fucking smoke your ass."

She exhaled sharply, and the air before the cancer mage wrinkled as serpentine tendrils of heat writhed towards the catgirl. The child shimmered slightly, the haze wreathing her in an infernal halo, and then she was shrieking as every hair smoldered, every piece of plastic melted and every scrap of clothing on her body threatened to combust.

The girl crumpled into a fetal, screeching ball, the smell of scorched flesh crawling up Camel's nose. For an instant it all seemed intensely familiar, sickening and yet somehow terribly delicious.

*** *** ***

Tuesday, August 18, 2009

Cranky Palette is Cranky

To whom it may concern:


1) Requiem for a Dream is an awesome piece of music. Please, for the love of God, stop hitching it to every banal piece of Hollywood shit in existence (I'm looking directly at you, America's Got Talent).

2) 420 stainless steel is complete and utter shit and suitable only for dinnerware and pocketknives. If the knife catalog only says "stainless steel" then I guarantee you it's 420-440 because if it was anything better, they would say so in the ad copy. For more information about what steels you should choose, go here.

3) There is a special circle of Hell reserved for people who replace C's with K's and I's with Y's, and vice-versa. If you have named yourself Kandi Magyk, I will bludgeon you with the collected works of the Brontë sisters until you learn that there is a difference between English adapting to changing times and being lazy for the sake of sensationalism.


Kisses,

Palette

Monday, August 17, 2009

Fixing my mistake

I had hoped to have another installment of Curse/Or out by now, but there is a slight problem with that:

I completely fucked the dramatic tension in the last installment. Camel recovers from her gunshot way too quickly.

Sure, it seems all right to you guys, because you read it in a serialized fashion and therefore time passed between installments. But when I read the entire chapter in one sitting, she just gets up too damn fast. In movie terms, she'd be down for like, 30 seconds tops.

I need to stretch the dramatic narrative out thusly:
  • Camel is shot. Readers go, "Oh shit. Did the protagonist just get shot dead in chapter 3?"
  • Focus then shifts to something else for what would be 5 minutes of screen time -- enough to make you forget about Camel and worry about something else.
  • Then, and ONLY then, do I have her do her "cancer resurrection" schtick.
Because as it reads now, it's not a dramatic "Oh crap" moment. It's a speedbump wherein Camel falls down and then immediately gets better. Ugh.

Okay, now that I've actually admitted to this, I have no choice but to sit in this bookstore and fix the damn scene.

Friday, August 14, 2009

Goldpecker

Once upon a time, there was a plutomancer named Chom Skee. History does not recall his race; he could as easily have been a dwarf as a halfling. But it is generally agreed upon that he was in fact a gnome, because his ideas occupied the intersection of "brilliant", "deranged", and "dangerous use of magic", which is pretty much synonymous with "gnome" these days. Chom, it turns out, was obsessed with chickens. But not just any chickens; no, only dire chickens would do. This was mainly because, as a plutomancer, Chom was also obsessed with gold and magic, and he became convinced that if could concoct the proper alchemical elixir, he could find a way to bestow a plutomantic ability upon his chickens, specifically the ability to lay golden eggs. Dire chickens, being larger and stronger than their lesser counterparts, not only had a better chance of surviving the alchemical transformation but also had the nice side effect of laying much larger eggs. This, as they say, is win-win. After a few tragic mishaps resulting in dire chickens being converted to gold, Chom was ready to give up. But then, as he stared at the golden chicken statues adorning his front lawn, he had an idea. And oddly, it made him think of owlbears. And then he began to giggle.

 
The problem, he realized, was that a dire chicken wasn't sufficiently magical to handle the alchemical transformation of calcium-into-gold within its reproductive organs. But, if he took an animal which was already magical, well then! That should work just fine. The Dire Chickenbear project was an unmitigated disaster which resulted in a hasty night-time relocation, the destruction of a small farming community, and a hefty price put on Chom's head. And the less said about the Dire Perytons, the better.

  But three kingdoms later, Chom finally hit upon his masterpiece: the Dire Cockatrice. In retrospect, this should have been his first choice, since it was already a magical chicken-thing which could turn men to stone with but a peck of its beak. Matter of fact, Chom could have bypassed the whole Dire aspect altogether and just enchanted the Cockatrice further, but by that point he was, as the folks say, "toys in the attic nutso" and fond of wearing a suit of chicken feathers.

 
Thus was born Goldpecker: the fearsome Dire Cockatrice who could turn men to gold. This was Chom's masterpiece, a self-perpetuating species with the potential to generate massive profit. He even thought about hiring himself out as an assassin and/or body-removal specialist: after all, when a body is turned into a gold statue and then converted into loose change, nothing short of a Wish is going to bring that person back. 

Sadly -- or perhaps fortunately -- Chom perished in a tragic mishap involving too much ale, a late-night booty call, and a misplaced Periapt of Proof against Petrification. 

And so, the legend goes, you can hear the dreadful cackle of Goldpecker carried on the early morning breezes of the scrubs and plains as he greets the golden dawn with gold of his own: the freshly petrified body of a hunter, trapper, or adventurer too sloppy to post guards during the night. 

Ask not for whom Goldpecker crows: he crows for greed.

Thursday, August 13, 2009

GTA: SS

Some of you may recall that last month, I entered a contest to become a columnist for McSweeny's Internet Tendency. Their website stated that winners would be announced August 7th.

You noticed that nothing was said on the 7th? Yeah, me too. I assumed, since I hadn't been contacted, that I had not won. Still, I obsessively refreshed the page all weekend, because I wanted to know who had won (and therefore against whom I could plot massively violent and needlessly complicated revenge.)

Some boilerplate "We will contact winners this week" appeared on Tuesday, the 11th. This gave me renewed hope that my writing career might actually have a snowball's chance in hell. In retrospect, I should have known this was false hope, as nothing good has ever come from a potential employer missing a deadline announcement.

So, as you can guess, I didn't get the gig. Apparently I didn't even make it to the finals. However, my soul-crushing loss is your win, since you get to read my submission. No, go on, read and enjoy. I'll just be over here in the corner, sobbing uncontrollably...


Ladies and Gentlemen:

My name is Erin Palette, and I intend to be your next writer. My column, titled "One from Column A, one from Column B" (because "Chinese Fire Drill" is apparently racist and insensitive these days, or so my anger management counselor tells me) is what happens when you take something popular – be it a movie, an activity, a game, etc – and bash it over the head with a completely arbitrary and contrary style, author, or genre until something allegedly funny emerges. Step three: profit!

Hey, it worked for that Grahame-Smith hack with Pride and Prejudice and Zombies.


Example column:

Grand Theft Auto: Sesame Street

"I gotta problem," the Grouch had told him, "a problem only you can solve, Niko." Of course no one had told him that the problem was retrieving a blue Muppet out of his mind on LSD-laced cookies, who even now was trying to eat the steering wheel while screaming at the top of his lungs.

"Motherfucker!" Niko growled as he pulled the Shelby GT Cobra through a bootlegger reverse and into a narrow alley. He was desperate to find the hospital, because he wanted this job done and because those wide googly eyes were freaking him out.

"God damn it!" he shouted into his cell phone, cranking the wheel hard to avoid getting t-boned by a garbage truck as he exited the alley. "Ernie, I don't care about your duckie! I just wanna know if you can tell me how to get to Sesame Street!"

And then the police were on his ass, red and blue on black and white like a Muppet orgy, their siren rising in hideous counterpoint to the keening howl of Cookie Monster on one hell of a bad trip. The traffic lights went green, yellow, red – red means STOP – but Niko didn't stop for anything.

Alto, said the radio. Alto means stop in Spanish. Alto. Alto. Aaaaaaaaltooooooooooo.

Against his will, Niko started counting the number of traffic violations he was committing. One, two, three – THREE points against his license for failure to obey a traffic light.

Ernie was now singing something about sheep, or maybe sleep, Niko wasn't entirely sure. "Jesus, Ernie, if you aren't gonna help me then hand the phone to Bert!"

Bert began muttering something about pigeons and their roosting patterns and how Niko needed to look for a brownstone with a particular shade of pigeon crap on it to know when to turn left to get to Susan's Clinic. Just then, something small and red and furry bounded out into traffic.

Screaming. Squealing. Smashing. Shattering. Smearing. Slaughter. All begin with the letter S. Small as he was – small also begins with S – the shattered form of Elmo was little more than a speedbump (also S) to Niko's speeding (S again) car.

S stands for Suspended License, intoned the radio.

Thirty – THIRTY, ah ah ah ah ah – moving violations later, Niko screeched to a halt in front of the Friendly Methadone Clinic to deliver the OD'ing Cookie Monster into the waiting arms of Nurse Susan Robinson.

He slumped, exhausted, in one of those cheap plastic waiting room chairs that had probably been there since the 70s. This was America? This was the land of opportunity his cousin had told him about?

And that's when he saw it, the Sunny Day to sweep all his clouds away, a beautiful vision beckoning him to come and play, that everything would be a-okay.

"Hiya, Niko!" shouted Big Bird. She looked beautiful, if a little trashy, naked under that bright yellow plumage. "You looked sad so I brought you some 'hot coffee'!" She winked knowingly and nodded towards the nearby broom closet.

X is for X-Rays, paged the intercom.

(Today's episode is brought to you by the letters C and J and the number 420.)


Other installments of my column:

Magic: the Bond-ing:
"The name is Bond. Fastbond." With that, secret agent 007 tapped a forest and let a handful of land cards tumble from his hand. The countess across the table from him gasped as he insouciantly dialed his life counter back seven points. Of course, little did she know that this was a special Q-Division life counter, one that would surreptitiously increase his life by one every 3.5 turns – enough to give him the edge, but not enough to win the game for him. For that, he would need to up the stakes.

"Just to keep things interesting, why don't we make this a hand of Strip Magic? Say, for each point of damage I do to you, you remove an article of clothing?" With that, he winked and sipped his martini…


Star Wars, written in the manner of a gay sex romp:
Luke gasped at the magnificence of Ben's lightsaber as it extended to its full length with a low throaty hiss. It throbbed with power, and yet Ben wielded it with the ease and confidence of a man experienced with all aspects of his weapon.

"Your father's lightsaber," Ben murmured softly, almost sensuously, the words round and velvety across his lips. "Not as clumsy or random as a blaster." Luke ached to touch it, to hold it, to use it as his father once had… no doubt under Ben's expert tutelage.


Power Rangers as if written by Frank Miller:
Green. White. Red. Black.

Money. Innocence. Blood. Death.

I've been them all, seen them all, done them all.

(Well, except for yellow and pink, but those are pussy colors. And I'm no pussy. I'm anything but.)

I'm the God Damned Tommy Oliver, and I will morph you a new asshole if you fuck with me.

HOLY SHIT IT'S HENRY ROLLINS

Okay, I lied about "last post on this topic" but that's only because I hadn't discovered this until now.

This is a long-distance dedication to my friend, Shawn Sage:



Starring
Laz Alonso as Doc
Alexis Bledel as Lady Jaye
Billy Crudup as Zartan
Zach Galifiankais as Snow Job
Tony Hale as Dr. Mindbender
Vinnie Jones as Destro
Joey Kern as Tomax
Joey Kern as Xamot
Chuck Liddell as Gung Ho
Julianne Moore as Scarlett
Henry Rollins as Duke
Alan Tudyk as Shipwreck
Olivia Wilde as The Baroness
and
Sgt. Slaughter as Himself

The Fine Print


This work is licensed under a Creative Commons Attribution- Noncommercial- No Derivative Works 3.0 License.

Creative Commons License


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