[author's note: the following critique
is entirely hypothetical in nature, as the series premiere of
Supergirl has not yet aired, and the leaked pilot is only available
via less-than-legitimate means. The author in no way supports
illegitimate ways of obtaining entertainment material, and strongly
recommends you purchase an overpriced cable subscription from your
local cable company. They need the money, after all. That said..
hypothetical spoiler warning]
I am not a fan of Superman. He really
bores the hell out of me, and is really only interesting to me when
he's Batman's punching bag. So how do you go about making Superman
interesting to someone like me?
Question asked and answered: make her an awkward, insecure twenty-something who is completely out of practice with her powers.
When I saw the six minute long trailer for the series, I was not hopeful. It played like a bad rom-com with superheroes. Like Sex and the City or Ally McBeal with a cape... not helped by the appearance of Callista Flockheart.
Question asked and answered: make her an awkward, insecure twenty-something who is completely out of practice with her powers.
When I saw the six minute long trailer for the series, I was not hopeful. It played like a bad rom-com with superheroes. Like Sex and the City or Ally McBeal with a cape... not helped by the appearance of Callista Flockheart.
Superdoof is best doof |
Now that I've... hypothetically seen
it. I'm happy to say that it's... really not that bad. Given that
it's a CBS property, it borrows some elements from its CW cousins,
Arrow and Flash. The light tone and adorably nerdy protagonist
strongly echo Grant Gustin's Flash, and the voiceover “My name
is..” introductory monologue returns from the two related series.
It's got that DC spirit that's worked so well on television so far.
The MCU juggernaut may rule the big-screen, but (despite SHIELD and
Daredevil), DC still has television locked down, and I could imagine
Kara joining Ollie and Barry for a 'super' crossover (I'm so sorry).
The episode's golden moment comes when
Kara sees a plane with a failing engine that happens to be carrying
her adopted sister, and struggles momentarily to remember how to fly
before shooting up into the sky with a beautiful camera shot panning
around her as she chases after the plane and carries it to a safe
landing through a suspension bridge and into a river before climbing
aboard the wing in view of cameraphones, news choppers, and lots of
witnesses. Following up with Kara (in sweats, on her sofa) squeeing over
seeing herself on the news adds the human touch missing from the
first appearance of Superman.
It's got some delightfully subversive moments, too, such as Kara's reacting poorly to her boss Kat (Ms Flockheart) dubbing her “Supergirl,” suggesting it's not very 'feminist.' Kat then dresses her down beautifully. “I'm a girl, and I'm beautiful and powerful and successful. If there's a problem with SuperGIRL, maybe the problem's with you,” to paraphrase. Another moment later on when the big bad of the episode underestimates her because she's a woman (alien from a literal patriarchal society), allowing her to sucker punch him with heat vision.
It's got some delightfully subversive moments, too, such as Kara's reacting poorly to her boss Kat (Ms Flockheart) dubbing her “Supergirl,” suggesting it's not very 'feminist.' Kat then dresses her down beautifully. “I'm a girl, and I'm beautiful and powerful and successful. If there's a problem with SuperGIRL, maybe the problem's with you,” to paraphrase. Another moment later on when the big bad of the episode underestimates her because she's a woman (alien from a literal patriarchal society), allowing her to sucker punch him with heat vision.
She walks like she's got some steel in her spine when she's on the clock. |
Aside from a few minor adaptation
changes, the pilot so far hasn't strayed too far from established
Super-lore. The one most noticeable exception is that now Jimmy Olson
is no longer a scrawny excitable ginger, but a charismatic hunky
black man. And possibly Supergirl's love interest. Which... I'm okay with. I like the actor. He does good work with the role.
There's some dodgy CGI. Some corny
dialogue. A few head-slapping choices of musical scoring. The comedy
best friend is annoying, and I'm not hopeful that he'll grow on us
like Foggy Nelson did over in Daredevil. But overall, the pilot is
nowhere near as bad as the six-minute first-look trailer made me
worry it would be. Ironically, there's a human element to Kara Zor-El
that almost every depiction of Superman so far has been lacking, and
I think that might be enough to make the show worth watching.
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