(if you thought Female Thor bothered
me, just wait..)

Gail Simone is one of my favorite comics
writers. She's always found a way to work in interesting, complex
characters (some of whom just happen to be female) into interesting
and complex stories without ever being preachy about any beliefs she
might hold in the real world. She's done some fantastic work on
Deadpool (very hard to write for Deadpool without straying into
lolsorandom territory) and fleshed out the Birds of Prey title,
giving a lot of extra life and backstory to one of my personal
favorite comics characters, Barbara Gordon. When the New 52 event
happened in DC and all the books relaunched, Batgirl was relaunched
as well, with Gail Simone at the head.
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| Not pictured: Stilettos, spandex |
I was in a bit of an outrage at the
time, as since Alan Moore's “The Killing Joke” ended with Barbara
being shot in the spine by Joker resulted in Barbara's growth from
Batgirl to Oracle, tech support and girl genius for the Justice
League. She was the one the heroes turned to when they couldn't
figure something out or couldn't get the job done on their own. She
even proved herself still physically capable, sparring regularly with
Nightwing and Black Canary, and defending herself from Prometheus
when her clocktower base was compromised. The news that Barbara would
be back on her feet and resuming her role as Batgirl, I was less than
pleased. Like throwing things less than pleased. Gail Simone's
writing was my one ray of hope and it just so turned out that not
only was the series not bad, but was actually pretty damn good.
Simone took Barbara through hell and
back, introducing new villains and teaming her up with some familiar
faces, dragging her into the Death of the Family with the gruesome
new Joker and squaring her off against (and finally redeeming) one of
the Talons of the Court of Owls before bringing her face to face with
her disturbed brother, James Gordon Jr.
And then Cameron Stewart and Brendan
Fletcher took over. The last few panels of Simone's final issue have
Barbara deciding that she's got to 'get away from it all' and resume
in Fletcher and Stewart's first issue with her moving to a trendy,
hipster borough of Gotham called Burnside (think Williamsburg) and returning to college(despite having
already earned several degrees). Leaving, bafflingly, the storyline
with Batgirl wanted for murder and being a fugitive of the police
unresolved, her brother still at large, and unresolved issues with
both her father and her boyfriend.
What follows is an unprecedented tonal
shift which left me with such a case of whiplash that I genuinely
thought I'd picked up the wrong comic. This feels like an alternate
universe or Young Adult title, and not at all like the issues that
logically follow on from Simone's run. The art is simplistic and
flat, not unlike a middling web-comic. The characterization is
completely out of place. Barbara is overly awkward. Black Canary
shows up and is so glum and grumbling that the artist might as well
have just drawn a permanent storm cloud over her head. Simone's trans
character(who is a good character on her own without straying near
tokenism), Barbara's roomie Alysia is left behind. And in every
goddamn panel is somebody wearing skinny jeans or horn-rimmed
glasses. The complaints people have about this book being too
hipster? Totally valid. There's Starbucks mocha half-caf skinny soy
vegan latte and ironic disinterest dripping from the pages. There's
hashtags and tinder references every other page. I think I know where
they got their
photo references from.
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| And the costume.. |
I'm fine with
the costume. Honestly, in another context, it would be fine. A Young
Adult version of Batgirl would be fine in this costume. But Barbara
Gordon, in the last three years since regaining her complete
physicality, has faced some serious threats, and a single layer of
leather is not sufficient for someone who regularly punches out of
her weight class. And it's almost like the author knows it, and is
embarrassed, as in one of the first few issues of the new team,
Barbara's nearly taken out by a cosplayer on a motorcycle with a
sword when the costume gives way with one slash. And I've seen people
say “Oh at least it's not spandex and stilettos.” **Batgirl did
not wear spandex and stilettos**. Read the book. Read. The. Book.
Batgirl had proper boots with armored knee covers. Teflon armor with
impact resistant plates. Shock plates in her cowl. All those little
lines on her New 52 costume? Those aren't sewing seams. Those are
armor plates. Batgirl had some serious gear that took a budget to
maintain, so don't tell me “oh the van caught fire so I have to
make a new costume out of thrift store finds.” Fuck right off with
that. Barbara Gordon is damned resourceful and smart, and fully
capable of restocking her arsenal with or without Wayne funding.
Better yet, we know Misfit's in the New 52. Give that costume to her. It'll fit. Or have Stephanie Brown move into Burnside and have her be Batgirl of Burnside in that costume. It fits either of those two characters far better than Barbara Gordon, who is a professional crime-fighting vigilante.
Most damning of all, Gail Simone gave
us a very mature, very adult Barbara Gordon. One who faced hardships,
betrayal, and devestation and still managed to pick herself up and
keep going. Cameron Stewart's batgirl is two giggles and a hair toss
from being just another god damn manic pixie dream girl, and that
just does not sit right with me.
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| Oh, Salem, surely you're just overreacting.. |
I'm tickled that a cross-dressing
villain (think Warhol with a Batgirl fixation) garnered him
accusations of Transphobia from the SJW crowd after tweeting this. If
that's what you think of Barbara Gordon, sir, you don't deserve to
clean her highly-functional armored boots.